Buttman Bend Over Babes 7

Special 2-disc set. Buttman's Bend Over Babes 7 is a brand new release that follows John Stagliano's world-traveling journey of perversion through nine time zones across three continents in five far-flung cities, only to reveal that the most exotic place of all is Buttman's imagination. With an impressive time of over five hours (not a wasted minute), BOB7 opens with a bang: the Russian bomb Mandy Dee's curvy body is felted by Buttman's signature close-up camera. Stagliano gasps as he speaks to her in the inimitable Buttman language: a fast but muffled sound that shows he's as excited today as he was 20 years ago when he took the porn world by storm with the original The Adventures of Buttman. Buttman's 2010 submissions don't rest on laurels, but explore new territory in fetish-driven encounters with carefully orchestrated auditions in which a new kind of gonzo girl like Mandy flaunts her tits and skilfully gapes her ass with aplomb for ass-lover Jazz Duro, or submissive bitch Charlotte Vale, who can handle really rough play and dangerously daring equipment. Stagliano's travels include a hard tango in his Parisian suite with the French femme Shannya Tweeks, whose rainy romp with Mike Angelo is both sadistic and sensual. Back in America, the Southern chick Alexia gives herself up to a pussy that is hammered by the muscular J. Mac. Much further south, Brazilian Jessica Taylor, a great stunner from the Amazon, spoils Roge with a rendezvous magically made by Buttman's attention to detail: The camera is literally placed next to her face to reveal her intimate sensual pleasure as she succumbs to the newly discovered anal-erotic pleasure. This is what makes a Stagliano-Gonzo so special: the undisturbed connection between actor and director, a bond that overcomes the sexual appearance of so much of today's porn and instead fuses real desire and art into something real that cannot be faked. Fans of real Gonzo know what it is, and they get to see plenty of it in Buttman's Bend Over Babes 7. The CD contains behind-the-scenes footage, photo galleries, a summary of the shots, a cast list, filmographies, a biography of the director and trailers: John Stagliano opens the scene in his Berlin hotel room with a close-up of Russian blonde, bombastic Mandy Dees with crotch and breasts. She is fully clothed, but her tight white spandex pants and her tight-fitting transparent t-shirt give us a glimpse of the well-formed pussy lips and protruding nipples that try to escape like refugees over Berlin's famous wall. Buttman coaxes them into different poses, which leads to a conscious body search and one of his newer interrogation techniques: clothespins cling to her big, gorgeous tits and nipples. The arrival of Jazz Duro is a welcome sight, as at this point we were ready to let Mandy reveal all her skills, including deep throat, facesitting, a variety of fucking positions and an unmissable reverse cowgirl ride that shows Mandy's perfect natural tits bouncing and rocking back and forth, all to the delight of tit-loving gonzo fans. There's a slurping cocksucker for jazz (whose stiff one has now been clamped by the clothespins) and finally a doggy-like anal insert that gives us a clear view of her smooth asshole, which is slowly penetrated as she turns to the camera and lets us see her pretty face, all in the same picture. Travel warning: In Berlin there is a cash machine (ass to mouth) in Buttman's room. An indecisive Jazz can't decide whether he'd rather have his cock in her smooth ass or in her warm mouth. He settles down in the middle by fucking her tits and flicking them onto her fleshy breasts, leaving us with the vision of a naked Mandy who is still trembling and whose chest and chin are adorned with shiny jazz sperm.scene 2: Jessica Taylor is the first sight Buttman discovers while walking through the park in Sao Paolo, Brazil. With a mixture of English and his rudimentary knowledge of Portuguese, he invites her to his hotel where she works for some paid sexy modeling jobs. Arriving at his cave, they do some business, and he takes her out of her modest jogging suit, which conceals a spectacular body. Soon Jessica models some sexy slut clothes that Buttman happens to have in his luggage, but this is only a short interlude, because she is quickly naked and spreads her pussy lips and ass cheeks, which proves that she can gawk at beginners. Buttman has a chrome butt plug in his pocket o tricks that Jessica skillfully puts in and even holds while she opens the door for the arrival of a very happy Roge. The exploration of the buttplug continues, and soon Jessica is sucking on it with relish. Meanwhile, Buttman realizes that her toes are a foot man's dream. Before Jessica and Roge head for the southern hemisphere, they are pampered with fetishistic foot worship. She sucks him deep and wet to lubricate his cock for a buns-up, face down hammering fuck. At this point she is relaxed enough that her pussy and ass gape at the same time. Buttman's camera keeps a close eye on Jessica's face to give us a feel for each of her feelings while Roge pushes his cock into her spittle-oiled asshole. Our Brazilian fucks speak in tongues now, but we know what they say. Roge almost comes out of his skin as Jessica rips a cum projectile right out of his north-facing cock, straight into the air and into her open, waiting mouth. The green-eyed brunette beauty displays the sticky reward like a proud conquistadora. Scene 3: American blonde beauty Alexia Sky is the landlady from Florida and shows Buttman and his friend J. Mac the property he has rented for his stay in the Sunshine State. Our little leprechaun from Dixie is no tramp: she knows exactly who Buttman is, and her goal is to sell him the house. She is dressed like a slutty student during her spring break, which, she explains, is part of her sales strategy. The two boys have put her through her paces to show her bubble butt, which squirts out of her extremely low-cut, painted jeans. Alexia is no match for the fast-talking buttman. She soon agreed to star in a Buttman movie without even getting a firm commitment to the business. In fact she only gets a firm beating and an even firmer cock. J. Mac, for his part, is proof that they are making it big in the South. Buttman perfectly captures the contrast between Alexias tiny thin body and J. Macs muscles when she rides his cowgirl-style dick and her ass spreads so far that her little asshole squirts out. J. Mac fucks her in a series of positions, pulls her around like a squeaky little sex toy, spanks her ass in turns, gapes her pussy apart and finally leaves her with disheveled hair, running make-up and a cum-dripping face and mouth. The director has obviously done well over the years... He agrees to buy the house as Alexias reward for his services to the audience of J. Mac and Buttman. Scene 4: Charlotte Vale arrives at Buttman's studio workshop on the beach in a silky emerald-green dress that accentuates her big, round ass. The camera follows her butt up the stairs to the toy room (Buttman toys are not suitable for amateurs), where she takes a few more poses before forcing the director to dance with her butt wiggling from the often imitated but never reproduced camera angles you'd expect in a Buttman movie. Her natural tits are soon exposed, revealing double nipple piercings and her obvious pleasure in caressing and squeezing her own breasts for the camera. A few pats on her tightly covered ass show that Ms. Vale appreciates a little discipline and a dose of tough love. Here she is at the right place! Things take a decidedly disgusting turn when Charlotte wedges her underpants tightly into her pierced pussy lips and then folds her asshole for our close-up. Soon she pushes two rippled, shiny glass bulb plugs (in sizes small and wow-thats big) into her highly elastic asshole. Buttman invites Charlotte back upstairs for a surprise, namely a waiting James Deen, who must be overjoyed to have a fully prepared, insanely horny, cock-hungry, submissive bitch delivered to him by hand for his whims. He starts by holding her throat while he spanks her pussy in a performance of alpha males that drives Charlotte crazy. We hear the waves crashing down as James slaps his willing whore with aggressive slaps, more spanking, piles driving pussy fucking, intense, deep anal-driving, hairpulling, gag-inducing face-fucking and finally a post-ejaculation stomping the cock into Charlotte's choking face as her eyes bulge out and her cheeks turn red. Did she have a good time? Probably, but honestly, Charlotte, we don't give a shit! Scene 5: A balcony in Paris opens to reveal the Eiffel Tower and old roofs on a rainy day, setting the mood for a hot tango between the sinewy Shannya Tweeks and her French compatriot Mike Angelo. Buttman's backstory is quickly silenced when he realizes that he's about to witness a seriously intense sex act between the hyper-aggressive Mike and the rebellious Shannya, who seems to dare him to take power. There is no gentle build-up here, as the two go from 090 in about two seconds. The scene has only just begun when Shannya gets her mouth stuffed with hard cocks in a kind of race for the instant gag, gets pulled by her hair, her tormentor slaps her in the face while she barks instructions in French, and she still smiles at him as if she has just won the French fucking lottery! The breakneck speed sex continues as Mr. Angelo spreads out her ass controls and dives into her ass tunnel with a breathtaking combination of speed and torque that could win a Grand Prix. This encounter is unusual for a Buttman scene, as the two actors bring an energy (something like two angry lovers in a grudge fuck on steroids) that would not be enhanced by the director's involvement, which is the hallmark of most Buttman scenes. Showing his judgement as a director, Stagliano has the reluctance to abandon his usual palette and instead take his small camera and document this encounter for what it is, a piece of hard sex reality that one imagines is normally reserved for the actors. In a twisty bend in the road of libido, Mike gropes Shannya's pussy and ass with one hand while he shoves his fist down her throat with the other hand, triggering a kind of male-guided, squirting orgasm. Buttman briefly returns to the action to help Mike attach clothespins and hairpins to Shannya's legs and pussy lips... Maybe they feared that she had lost all feeling and had been fucked into a state of numbness that required new sensations. An already spent Shannya practically goes limp like an Apache dancer, so Mike can continue his tour de force by fucking every opening on Shannya's body in a sexual athletic performance that leaves you amazed at his strength and endurance. Finally, just as a dessert for her indulgence, Mike rewards Shannya with a generous shot of crème brûlée in a sperm and cock choking finale. Buttman, who is rarely speechless, can only murmur a whispered, monotonous thank you when he says goodbye to the two. He probably collected the recorded evidence, packed his bags and left town on the first flight.